McQueen created his own ‘museum of woman-monsters’ in his second couture collection fro Givenchy, Eclect Dissect, shown in July 1997. In the period leading up to to the show, his art director SImon Costin combined the late Victorian costumes McQueen was then looking at with with a series of animated skeletons and muscle men from the sixteenth-century anatomical plates of Andreas Vesalius in a series of collages.
Caroline Evans, Fashion at the Edge (2007)
as much as i love girls and monsters
i love equally girls as monsters
Forming and Fragmenting by Andre Wee is a series of imagery that depict portraits that exist in an eternal state of transition. It is however, uncertain as to whether these figures are in the process of “forming” or “fragmenting” due to it existing in such an undefined state. This inability to define, ironically labels these entities as beings that embody the idea of a limbo. An experience of being of two different states at the same time and yet, not belonging to either.